Gazelli Art House gathers innovative collage work from venerated artists Helen Frankenthaler, Nancy Grossman, Grace Hartigan, Lilly Fenichel, Perle Fine, Betty Parsons, Sonja Sekula, Yvonne Thomas, and Michael (Corinne) West in an exceptional survey of Abstract Expressionism. Montage delivers a shrewd exploration of Abstract Expressionism via a curatorial focus on assemblage, collage, and non-canvas artworks, while also recognising Europe’s profound impact on the American Abstract Expressionist movement. Spotlighting Post-War artists long overlooked until recent decades, Gazelli Art House invites audiences to experience an amalgamation of diverse artistic voices that defined an era. Amidst a notable surge of interest in twentieth-century...
Gazelli Art House gathers innovative collage work from venerated artists Helen Frankenthaler, Nancy Grossman, Grace Hartigan, Lilly Fenichel, Perle Fine, Betty Parsons, Sonja Sekula, Yvonne Thomas, and Michael (Corinne) West in an exceptional survey of Abstract Expressionism. Montage delivers a shrewd exploration of Abstract Expressionism via a curatorial focus on assemblage, collage, and non-canvas artworks, while also recognising Europe’s profound impact on the American Abstract Expressionist movement. Spotlighting Post-War artists long overlooked until recent decades, Gazelli Art House invites audiences to experience an amalgamation of diverse artistic voices that defined an era. Amidst a notable surge of interest in twentieth-century female abstract artists, and following Gazelli Art House’s success of 9th St. Club exhibition inspired by Mary Gabriel’s Ninth Street Women book, Montage offers a fresh perspective, delving further into the diverse practices of women in abstraction.