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Martin Aagaard Hansen, 'The wheel of it all', 2024, Gouache, pastel, and tempera on paperboard mounted on stretcher.Wooden frame, 64,9 x 50 cm
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Martin Aagaard Hansen, 'Wooden dolls, or remnants of people', 2024 Gouache, pastel, and tempera on paperboard mounted on stretcher. Wooden frame, 39 x 29 cm
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Adele Rannes, 'Three Figures', 2024, Mezzotint on paper, framed, 37 x 45 cm
Measurement with frame: approximately 45 x 53 x 2,5 cm
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Katrine Bobek, 'Untitled', 2024 Oil on canvas 38 x 24 cm
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Katrine Bobek, 'Untitled', 2024 Oil on canvas 84 x 58 cm
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Carl Mannov, 'Architecture (III)', 2024 Gesso and acrylic on jute 40 x 23 x 3 cm
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Carl Mannov, 'Architecture (II)', 2024 Gesso and acrylic on jute 40 x 23 x 3 cm
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Carl Mannov, 'Brood', 2024, Gesso and acrylic on cotton 40 x 27 x 3 cm
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Carl Mannov, 'Architecture (I)', 2024 Gesso and acrylic on jute 43 x 32 x 2.7 cm
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Katrine Bobek, 'Kiss', Oil on canvas 95 x 40 cm
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Anna Kristine Hvid Peterson, 'Et landskab vil have sine safter tilbage', 2024 Oil and canvas mounted on wood, 72 x 72 x 2.5 cm
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Martin Aagaard Hansen, 'Church, moon and crane fly', 2024, Gouache, pastel, and tempera on paperboard mounted on stretcher. Wooden frame, 46,9 x 32,7 cm
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Carl Mannov. 'Architecture (IV)', 2024 Gesso and acrylic on jute 40 x 23 x 3 cm
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Each of the artists in this group exhibition uses painting as a kind of portal: to a deeply personal yet otherworldly realm, as in the paintings of Katrine Bobek and the work of Adele Rannes, or surreal visions of urban culture, such as Carl Mannov’s. Martin Aagaard Hansen excavates the unknown beneath these urban surfaces, Morten Knudsen’s abstract works communicate sights indescribable through language, and Anna Kristine Hvid Petersen depicts narrative scenes similar to– but not quite the same as– reality.