The exhibition presents new works by Sonya Derviz and Joel Wycherley, two artists whose practices interrogate the limits of perception and the instability of meaning. Engaging with ambiguity as both subject and method, the exhibition resists definitive interpretation in favour of a more nuanced, open-ended encounter. Wycherley’s sculptural interventions, situated between object and architecture, function as perceptual thresholds that complicate the viewer’s relationship to space and vision. In parallel, Derviz’s paintings construct figures that emerge from and dissolve into their own making, composed from found images yet irreducible to any single reference. Together, these works propose an epistemology of uncertainty,...