Fluid sculptural forms evoke the wild, tumultuous movement of the sea or else, the uncanny stillness of a dense forest, both creating veil-like surfaces which alternately obscure and reveal the figures caught between. These latest works by Richard Stone reflect on the artist’s spontaneous sculptural process in relation to the physical materiality of clay, marble and bronze to explore wider perceived dichotomies between artistic conceit and authenticity, strength and vulnerability, resistance and surrender. Through deconstructed figures and sensual, curvaceous shapes, the knight divided, the artist’s third solo exhibition with Kristin Hjellegjerde Gallery, considers art’s ability to not just challenge convention,...